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Theater / Early Professional Years
Everywhere I Roam

Dancer / NYC / National Theatre
December 29, 1938 - January, 1939 / 13 performances
Produced, written and staged by Marc Connelly
Choreographer: Felicia Sorel / Choral Director: A. Lehman Engel
Scenic Design & Costumes: Robert Edmond Jones

One month after the closing of "You Never Know," Melchor Ferrer was dancing again in the chorus of yet another Broadway show, this one based on the life of Johnny Appleseed. "Everywhere I Roam" was the creation of Marc Connelly, who wrote, produced and eventually staged the musical at the National Theater over the holiday season in New York. Connelly was famous at the time for the successful creation of "Green Pastures," but he's generally credited for the failure of this show, which ran for only thirteen performances.

The choreographer was Felicia Sorel, who was able to pull dancers from The Martha Graham Company for some rather satisfying dance sequences, especially in the first act that took place in a wheat field with a blue curved cyclorama in the background to create a vast sky in  the wide open spaces where Johnny Appleseed roamed. Unfortunately,  the beauty of the first act gave way to a troublesome second act set in New York. According to the memoirs of Dorothy Bird, one of the dancers hired for the show, Connelly was patronizing and pretentious to the dancers and confusing in his direction to both actors and crew. When he asked that the NY skyscrapers be cut in half  - meaning to thin them out in numbers - the crew instead cut them in half physically reducing NYC and the set to middle America. The cluttered result obscured the dancers' movements and left them all dissatisfied. In protest, a great many of them took on second jobs with a musical called "Picket Line Priscilla," but clearly Melchor Ferrer was not among them.

The play was not without its virtues, however. The character of Johnny Appleseed was radiantly played by a 25-year-old Norman Lloyd, who's enactment was selected as one of the 10 best Broadway performances of the year.  And though their time together in this production was brief, Lloyd and Ferrer began a close personal friendship that continued right up until the end of Mel's life. Norman Lloyd helped Melchor get his next gig - a run of "Camille" with Eva La Gallione - and later in Hollywood, Mel used Norman as a director at his La Jolla Playhouse. Some 20 years later Norman would direct Mel in a televised live performance of "Carola" for PBS. And when Mel Ferrer died in 2008, Norman Lloyd said sadly, "I've known a lot of people in this business and Mel Ferrer was one of the best."

Others in the cast included a very young Anne Francis as the Fourth Celebrator, Dean Jagger as The Man, Arthur Kennedy (who would also become a long time friend) as Joe, Jr., and Peggy Ann Holmes as Martyr.

 

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